If you’re a gay boy of a certain age, or from a certain place, high school, and maybe even college, probably wasn’t that much fun. Sure, we all went to the frat parties, or the keggers down by the river, but chances are that we often found ourselves having to hold back from the kind of debauchery that was central to those events – after all, there could be serious consequences for saying or doing the wrong thing after hitting that beer bong. Drunk and Horny, the weekly party hosted at Underground SF by the infamous duo of Jeff and Gary (Earth, The Love Haight Lounge, Wet Dream), is probably as close to those high school antics as is possible to achieve by people who are actually of legal drinking age. Beer bongs, vintage disco, AOR and alternative rock tracks, the occasional appearance of a whipped cream dispenser, references to “Spring Break” and “Finals” on the flyers, all evoke those hazy halcyon days of youth, or at least some imagined version of them.
I’ve seen this party evolve over the course of about two years, and it has undergone some changes in that time. When it started as a monthly it was usually so packed that you couldn’t even get a drink, though now as a weekly the crowd has thinned to more manageable levels (it's no longer necessary to sneak into the back alley for a pee, for example). At first the crowd was very alteraqueer, drawing from various faeries, Haight Street boys, and those who had come to other Jeff and Gary parties. Once the owner of the bar started taking out ads in Gloss, however, the crowd began to take on more of a classic Castro caste, though I have continued to meet interesting guys milling around in the back smoking area (my favorite place to hang out, since that's where the bad boys are). The music has changed somewhat as well, with a distinct trend toward classic disco and 70s tracks, with more contemporary alt-rock and pop thrown in. Lord Kook used to open with a harder electrohouse sound that I really enjoyed, but since he has moved on, with the opening slot taken up by Sparky, the sound is much more consistent, and perhaps more accessible to the larger masses who like their music funky and familiar enough to sing along with .
Drunk and Horny is a pretty reliable night out, and at only five dollars, with some of the absolute strongest drinks in town (three usually leave me completely plastered), it can be an easy-going way to pass some time with friends on a Saturday night, get totally shit-faced, and maybe strike up a chat with a cutie and get lucky (especially if there’s an afterparty). I don’t personally groove on the music that much, but, for me, the dancefloor isn’t really what this night is about. Drunk and Horny is well on its way to being a classic San Francisco event, so you owe it to yourself to check it out at least once, whether you want to feel like you're in college again, or you really are and are just tired of partying with all the straight kids. Maybe that will be enough for you, or maybe it will just whet your appetite for more.
Tuesday, June 12, 2007
Monday, June 11, 2007
NYTimes Article: "Coke is the New Weed"
Way back in February of this year I wrote an entry for this blog on "the new coke," about how cocaine seems to have made this incredible resurgence on the club scene. Now I have the New York Times to confirm that it's not just here where cocaine is becoming a nightlife staple once again, and that prices for a half-gram party pack are set at about the same level as in New York as they are here ($25-30). There are some great quotes in this article, including an investment banker guy who buys two grams a week (urgh, and how is that sinus condition treating you?):
“I do it every day,” said Kristoff, a European transplant to New York who works in finance and would not give his last name. He said he pays $150 for two grams of cocaine. “If I have to work at 6 in the morning and I have to be on top of the game, I’ll do it. I’ll take a gram of coke and make half a million dollars.”Wow.
Event Review: Sex and Icons Show at Magnet, Reception at The Transfer
Friday night's opening for Leo Herrera's "Sex and Icons" show at Magnet, followed by the reception party at The Transfer, was certainly the weekend's see and be seen event for the alternaqueer crowd, where there were more well put-together boys with complicated coifs than I have seen out in Clubland for a very long time. And though the show did not quite match my expectations , and the scenester aspect of the party tended to overpower my perceptions of its other elements, both confirmed for me that there is a younger gay underground art and music scene that is well on its way to re-defining the San Francisco club experience, with artists like Herrera providing the iconography, and DJs like Pee Play, Jason Kendig, Kenvusion, and Robot Hustle, along with their many associates, providing its essential heartbeat.
Leo Herrera's photos bring to mind Pierre et Gilles and David LaChapelle on first glance. Like the images of those photographers, Herrera's seem to come from a space inhabited by fables and mystical creatures, and he shares with them an anti-naturalistic aesthetic - unlike Pierre et Gilles, however, his images are not the supporting material for painterly re-workings, nor, like LaChappelle, does he work with the direct qualities of light. Instead, Herrera's muse is Photoshop, and you have the sense of hours spent trying to get just the right level of color saturation, or using filters to manipulate specific layers. Herrera has a terrific visual sense for both color and composition, and what was perhaps most notable about all his images was the consistency of the vision that ran through them, from work that was produced for commercial purposes, up through his faux porn posters, to his more abstract moments, such as the straight-on contemplation of a poppers bottle and a bumper, or, perhaps the most memorable image of the show, a large, metal bracelet-adorned dildo with very convincing pre-cum courtesy of a hot glue gun.
As the title of the show makes clear, Herrera is interested in the iconic aspect of his images, their ability to encapsulate a quality that transcends their specific nature and reveals their connection to a universal concept. In light of this, I thought it interesting that so many of the images had a commercial context, such as the image of Peaches Christ as a towering tranny monster that was used to promote her Midnight Mass shows, or the porn posters. In many ways, the work of a commercial photographer is to create iconic imagery by investing the ordinary with a supernatural or super-real quality. This was what I saw as the craft in Herrera's work, and the rationale for his image manipulations: the imposition, by the photographer, of meaning onto things that are ordinarily mundane, like a brown poppers bottle, or a dildo that you could pick up anywhere in the Castro. However, if Herrera's images were successful at imbuing meaning into objects that ordinarily had none, I thought it was less successful when contemplating objects that already had the capacity to speak for themselves. One of the images I was most curious to see, for example, was of Harvey Milk's suit that he wore the night he was assassinated. Herrera's treament was to crop the composition very tightly, so that the form of the shirt was reduced to just the front panels, and to put a light behind it that glowed through the material like an ethereal heart. But, did Harvey Milk's shirt need to be aestheticized to this degree to make it speak as an iconic object, did it really need Herrera's artistic intervention to have a voice? In looking at this photograph, and of Daddy Alan Selby's leather hat perched on top of someone else's head, I wished Herrera had taken an approach more out of straight photography, giving the objects the ability to simply be what they were, which, to me, would have placed them more in the realm of the iconic than an aesthetic interpretation that was, for me, too literal-minded. My final thought at the show was that Herrera has both an aesthetic vision and the skills to execute it, but perhaps needs to spend more time thinking about what he is revealing rather than what he is creating.
The reception at the Transfer was probably the most fabulous event I've attended in a while - disco balls threw diamond spots of light all through the bar, posters and proof sheets were suspended on lines along the walls, they even moved the damn pool table out of the way. Kids were crowding in on the heels of the Magnet show closing, and DJs Ken Vulsion and Robot Hustle were setting a fun, easy-going vibe. The tracks tended toward electro and a little bit retro, and though I was personally in the mood for something a bit harder and a little more techno, I had no real complaints. Well, aside from the fact that I still can't get the hang of the Transfer's space - even after clearing the pool table and moving the tables and chairs into its previous space the dance floor seemed more like a way station on the route to the bathrooms, with the bar serving as the soul for that space. The boyfriend and I eventually headed off to Lights Down Low at 222 Hyde, since we were in more of a mood to dance than to hang out and add our own iconography to the scene, but it seemed pretty clear to me that this was ground zero for the new clique of kids who will be defining the gay club scene for their generation, and I will be happy to check out their events and chart their progress.
Leo Herrera's photos bring to mind Pierre et Gilles and David LaChapelle on first glance. Like the images of those photographers, Herrera's seem to come from a space inhabited by fables and mystical creatures, and he shares with them an anti-naturalistic aesthetic - unlike Pierre et Gilles, however, his images are not the supporting material for painterly re-workings, nor, like LaChappelle, does he work with the direct qualities of light. Instead, Herrera's muse is Photoshop, and you have the sense of hours spent trying to get just the right level of color saturation, or using filters to manipulate specific layers. Herrera has a terrific visual sense for both color and composition, and what was perhaps most notable about all his images was the consistency of the vision that ran through them, from work that was produced for commercial purposes, up through his faux porn posters, to his more abstract moments, such as the straight-on contemplation of a poppers bottle and a bumper, or, perhaps the most memorable image of the show, a large, metal bracelet-adorned dildo with very convincing pre-cum courtesy of a hot glue gun.
As the title of the show makes clear, Herrera is interested in the iconic aspect of his images, their ability to encapsulate a quality that transcends their specific nature and reveals their connection to a universal concept. In light of this, I thought it interesting that so many of the images had a commercial context, such as the image of Peaches Christ as a towering tranny monster that was used to promote her Midnight Mass shows, or the porn posters. In many ways, the work of a commercial photographer is to create iconic imagery by investing the ordinary with a supernatural or super-real quality. This was what I saw as the craft in Herrera's work, and the rationale for his image manipulations: the imposition, by the photographer, of meaning onto things that are ordinarily mundane, like a brown poppers bottle, or a dildo that you could pick up anywhere in the Castro. However, if Herrera's images were successful at imbuing meaning into objects that ordinarily had none, I thought it was less successful when contemplating objects that already had the capacity to speak for themselves. One of the images I was most curious to see, for example, was of Harvey Milk's suit that he wore the night he was assassinated. Herrera's treament was to crop the composition very tightly, so that the form of the shirt was reduced to just the front panels, and to put a light behind it that glowed through the material like an ethereal heart. But, did Harvey Milk's shirt need to be aestheticized to this degree to make it speak as an iconic object, did it really need Herrera's artistic intervention to have a voice? In looking at this photograph, and of Daddy Alan Selby's leather hat perched on top of someone else's head, I wished Herrera had taken an approach more out of straight photography, giving the objects the ability to simply be what they were, which, to me, would have placed them more in the realm of the iconic than an aesthetic interpretation that was, for me, too literal-minded. My final thought at the show was that Herrera has both an aesthetic vision and the skills to execute it, but perhaps needs to spend more time thinking about what he is revealing rather than what he is creating.
The reception at the Transfer was probably the most fabulous event I've attended in a while - disco balls threw diamond spots of light all through the bar, posters and proof sheets were suspended on lines along the walls, they even moved the damn pool table out of the way. Kids were crowding in on the heels of the Magnet show closing, and DJs Ken Vulsion and Robot Hustle were setting a fun, easy-going vibe. The tracks tended toward electro and a little bit retro, and though I was personally in the mood for something a bit harder and a little more techno, I had no real complaints. Well, aside from the fact that I still can't get the hang of the Transfer's space - even after clearing the pool table and moving the tables and chairs into its previous space the dance floor seemed more like a way station on the route to the bathrooms, with the bar serving as the soul for that space. The boyfriend and I eventually headed off to Lights Down Low at 222 Hyde, since we were in more of a mood to dance than to hang out and add our own iconography to the scene, but it seemed pretty clear to me that this was ground zero for the new clique of kids who will be defining the gay club scene for their generation, and I will be happy to check out their events and chart their progress.
Friday, June 8, 2007
Upcoming Event: Prepare for the Playa, Sunday June 10
Okay, so whether you want to prepare for the playa or just make sure you have some togs that will get you off the cover charge when it says "playafied," you should definitely check out this playa fashions sale at Mighty (especially gear from my friends Jovino and Mermaid at Bunnywarez). DJs, fire, fashion, essential playa gear, dancing, all at Mighty (119 Utah Street) from noon until 7PM. Hit the link for full details: Prepare for the Playa!
Your Saturday Guide for June 9, 2007
Oh, the smell of playa dust is in the air! Three Burning Man-related events and fun in the Tenderoin are all on the schedule for this Saturday.
The Jaded Gay DJ Recommends: Funky Dust! Underground Fundraiser for The Opulent Temple
All your fave Opulent Temple DJs like Syd Gris, Smoove, Icon, Hoj, Dulce Vita, Nathan Vain, Jeffrey Allen, & Astro spinning dirty house, electro, and breaks at a secret underground location. Arrive early, as they'll be closing the doors when they hit capacity. First 250 to arrive will be entered into a raffle to win a free Burning Man ticket.
10PM - all night
$15 playafied, $20 normal
Secret location, check the website for more info the day of the event.
Precompression: Official Burning Man Kick-Off Party at 55o Barneveld
Artists, flames, DJs, the whole playa experience minus the heat and the dust, brought to one of the best venues in the city. My friend Aaron Neonbunny (Bunny Jam) will be spinning an early set in the main room, so get there and check him out.
8PM - 5AM
$10 before 10pm; after 10pm: $15 in costume; $20 no costume
550 Barneveld
NIIMBY Roots to Roof Fundraiser for the Steampunk Treehouse (Emeryville)
If you're in the East Bay this should be a total blast. Lots of performances, with beats provided by The Space Cowboys and the Unimog.
8PM - 2AM
$15 - $15,000 sliding scale
NIMBY Warehouse, 1649 28th Street, Emeryville
Green Gorilla Lounge Presents No Fucking Requests Ever at Club 222
With DJs Lance DeSardi, Ryan Poulsen, David Skye, and DJ M3
9PM - 2AM
FREE before 10:30p, $10 after
Club 222, 222 Hyde Street
Gun Club at Deco Lounge
I guess Ryan Poulson is just going to walk down the street after his set at Club 222. Super space, well worth it for just that alone, but I'm sure the residents will also lay down some groovy ElectroTechnoHouse sounds.
10PM - 3AM
No cover mentioned
Deco Lounge, 51o Larkin at Turk
The Jaded Gay DJ Recommends: Funky Dust! Underground Fundraiser for The Opulent Temple
All your fave Opulent Temple DJs like Syd Gris, Smoove, Icon, Hoj, Dulce Vita, Nathan Vain, Jeffrey Allen, & Astro spinning dirty house, electro, and breaks at a secret underground location. Arrive early, as they'll be closing the doors when they hit capacity. First 250 to arrive will be entered into a raffle to win a free Burning Man ticket.
10PM - all night
$15 playafied, $20 normal
Secret location, check the website for more info the day of the event.
Precompression: Official Burning Man Kick-Off Party at 55o Barneveld
Artists, flames, DJs, the whole playa experience minus the heat and the dust, brought to one of the best venues in the city. My friend Aaron Neonbunny (Bunny Jam) will be spinning an early set in the main room, so get there and check him out.
8PM - 5AM
$10 before 10pm; after 10pm: $15 in costume; $20 no costume
550 Barneveld
NIIMBY Roots to Roof Fundraiser for the Steampunk Treehouse (Emeryville)
If you're in the East Bay this should be a total blast. Lots of performances, with beats provided by The Space Cowboys and the Unimog.
8PM - 2AM
$15 - $15,000 sliding scale
NIMBY Warehouse, 1649 28th Street, Emeryville
Green Gorilla Lounge Presents No Fucking Requests Ever at Club 222
With DJs Lance DeSardi, Ryan Poulsen, David Skye, and DJ M3
9PM - 2AM
FREE before 10:30p, $10 after
Club 222, 222 Hyde Street
Gun Club at Deco Lounge
I guess Ryan Poulson is just going to walk down the street after his set at Club 222. Super space, well worth it for just that alone, but I'm sure the residents will also lay down some groovy ElectroTechnoHouse sounds.
10PM - 3AM
No cover mentioned
Deco Lounge, 51o Larkin at Turk
Thursday, June 7, 2007
Upcoming Event: Staple Presents Shreddin' on Shrader for the Haight Street Faire, Sunday June 10
Since there ain't no booze at the Haight Street Faire this year you might have to wander off a little ways to get yer buzz on, so why not check out some grooves from the Staple residents Fil Latorre and DJ Javaight, with special guests Alland Byallo (Kontrol), dj Seven, and Paul Guido? From 12PM until whenever the fun runs out, on Shrader between Haight and Waller.
Upcoming Event: Fundraiser for Steampunk Treehouse with the Space Cowboys, Saturday June 9
ROOTS TO ROOF, a fundraiser for the Steampunk Treehouse Project
Featuring: Loop!Station, Mark Growden, Kinetic Steam Works, Exxothermia, Orion Fredericks, THERM, Copper Lantern Fire Theater, Dept. of Spontaneous Combustion, Jamie Vaida and the "Goes Around Comes Around," Spy Girl Friday, Jeremy Krentz & His Tesla Coil, One Man Banjo, DJ Delachaux, DJ Halon, DJ D. Vennerbeck & His Steam Powered Mixological Arts
Plus THE UNIMOG
with Space Cowboy DJs Mancub, Kaptn Kirk, The Geometrist and 8ball will collaborate on beats later in the evening
Art by Michael Christian, Ben Carpenter, Jamie Vaida, Steven Rademaker
Sponsored by The Crucible
Lighting by reFRACTion
Admission: $15- $15,000 (sliding scale)
Location: NIMBY Warehouse // 1649 28th St., Emeryville, CA 94608 //
(between Mandela Parkway & Peralta)
http://www.steamtreehouse.com/
Featuring: Loop!Station, Mark Growden, Kinetic Steam Works, Exxothermia, Orion Fredericks, THERM, Copper Lantern Fire Theater, Dept. of Spontaneous Combustion, Jamie Vaida and the "Goes Around Comes Around," Spy Girl Friday, Jeremy Krentz & His Tesla Coil, One Man Banjo, DJ Delachaux, DJ Halon, DJ D. Vennerbeck & His Steam Powered Mixological Arts
Plus THE UNIMOG
with Space Cowboy DJs Mancub, Kaptn Kirk, The Geometrist and 8ball will collaborate on beats later in the evening
Art by Michael Christian, Ben Carpenter, Jamie Vaida, Steven Rademaker
Sponsored by The Crucible
Lighting by reFRACTion
Admission: $15- $15,000 (sliding scale)
Location: NIMBY Warehouse // 1649 28th St., Emeryville, CA 94608 //
(between Mandela Parkway & Peralta)
http://www.steamtreehouse.com/
Your Friday Guide for June 8, 2007
My my my, things are getting warmer here in the city of fog, and after a slow couple weekends the scene is starting to pick up as well. This Friday there are so many things I'd like to check out, it's going to be a challenge to my little legs and my ability to snag taxis to get around to them all. So, without further a-do, your Friday Guide:
Bar Nights and Weeklies
Charlie Horse at the Cinch
Best place to go out and have a cheap drink while being entertained by drag queen antics. Recently voted Best Drag Show in San Francisco by the SF Weekly! Music by DJ Dirty Knees and Bearzbub is more rock and new-wave oriented, but at least it won't interfere with your conversation. Check out my latest review of Charlie Horse at The Cinch.
Fag Fridays at The EndUp
Reliable, not all that exciting, but it's gay and you can stay until 6AM. Expect to pay around $20 to get in and to dance to pretty typical San Francisco deep house.
FUK Werk Fridays Happy Hour at 111 Minna
Miminal techno happy hour in a space swarming with the buzzy busy bees of San Francisco business. Check out my review of Fuk Werk Fridays.
111 Minna Street at 2nd
The Jaded Gay DJ Recommends: Lights Down Low at Club 222
This installment features a DJ set from Greg Horner of Kill Hannah (oooh, he's so cute!), along with resident Sleazemore, The Booster, and the Gemini Disco DJs. Five bucks, swell space, fun kids, what the hell more do you want on a Friday night? Check out my previous review of Lights Down Low.
10PM - 2AM
$5
222 Hyde Street at Turk
One-Offs and Monthlies
People's Voice at The Gingerbread House
"People's voice is the first in a series of events designed to give you the chance to make your voice heard and suggest artists and DJ's you would like to hear play in SF. The ultimate goal is to bring new and fresh talent into the scene, and create a musical journey throughout the night." This installment: Psytrance with an Ambient Mafia chill room.
The Gingerbread House, Connecticut at Cesar Chavez
10PM - 6 AM
$14 pre-sales (www.soundofmind.org), $20 at the door
The Jaded Gay DJ Recommends: Sex and Icons/ Reception at The Transfer
Art opening for photographer Leo Herrera at Magnet (18th and Castro) followed by a reception at 10.30 at The Transfer (Church and Market) with DJS Pee Play, Jason Kendig, Kenvulsion, and Robot Hustle.
FREE (?)
Stimulus - Excursions Into ElectroTech at Le Duplex
This installment features DJ Brian of Moontribe (!), along with regulars Dirt (Cymbalic / Omniscient Records - SF), Evinrude (Stimulus / Space Cowboys / NetAmp - SF), Little John (Raindance / Nexus - Santa Cruz), Mozaic (Stimulus / Raindance / Nexus / 3WS - SF), Satsi (Ammo - SF). Personally, I think Le Duplex is Le Suck, with bad sound and overpriced drinks, but I'd love to hear how these guys interpret ElectroTech.
10PM - 4AM
Le Duplex, 1525 Mission Street
$5
More info: 1-888-650-6660
Staple presents Mike Huckaby at Rx Gallery
Residents DJ Javaight and Fil Latorre will be spinning the future house and deep techno sounds with Detroit producer and DJ Mike Huckaby.
9PM - 2AM
$10 advance (www.blasthaus.com/calendar), free before 10.3o with the flyer
Rx Gallery, 132 Mason Street at Eddy
Deep End Fundraiser at Supperclub
The best place on the playa to get a nasty sunburn or whirled away by a dust devil is certainly The Deep End. Two rooms of their DJs in a very cool location.
10:00pm - 4:00am
$15 donation
Supperclub, 657 Harrison b/t 2nd & 3rd
The Rod at Deco Lounge
For all the gay boys who want to pretend that it's 1979. Unfortunately, I'm not one of them. Check out my review of The Rod.
10PM - 4AM
FREE before 10PM, $5 After
Deco Lounge, 510 Larkin at Turk
Bar Nights and Weeklies
Charlie Horse at the Cinch
Best place to go out and have a cheap drink while being entertained by drag queen antics. Recently voted Best Drag Show in San Francisco by the SF Weekly! Music by DJ Dirty Knees and Bearzbub is more rock and new-wave oriented, but at least it won't interfere with your conversation. Check out my latest review of Charlie Horse at The Cinch.
Fag Fridays at The EndUp
Reliable, not all that exciting, but it's gay and you can stay until 6AM. Expect to pay around $20 to get in and to dance to pretty typical San Francisco deep house.
FUK Werk Fridays Happy Hour at 111 Minna
Miminal techno happy hour in a space swarming with the buzzy busy bees of San Francisco business. Check out my review of Fuk Werk Fridays.
111 Minna Street at 2nd
The Jaded Gay DJ Recommends: Lights Down Low at Club 222
This installment features a DJ set from Greg Horner of Kill Hannah (oooh, he's so cute!), along with resident Sleazemore, The Booster, and the Gemini Disco DJs. Five bucks, swell space, fun kids, what the hell more do you want on a Friday night? Check out my previous review of Lights Down Low.
10PM - 2AM
$5
222 Hyde Street at Turk
One-Offs and Monthlies
People's Voice at The Gingerbread House
"People's voice is the first in a series of events designed to give you the chance to make your voice heard and suggest artists and DJ's you would like to hear play in SF. The ultimate goal is to bring new and fresh talent into the scene, and create a musical journey throughout the night." This installment: Psytrance with an Ambient Mafia chill room.
The Gingerbread House, Connecticut at Cesar Chavez
10PM - 6 AM
$14 pre-sales (www.soundofmind.org), $20 at the door
The Jaded Gay DJ Recommends: Sex and Icons/ Reception at The Transfer
Art opening for photographer Leo Herrera at Magnet (18th and Castro) followed by a reception at 10.30 at The Transfer (Church and Market) with DJS Pee Play, Jason Kendig, Kenvulsion, and Robot Hustle.
FREE (?)
Stimulus - Excursions Into ElectroTech at Le Duplex
This installment features DJ Brian of Moontribe (!), along with regulars Dirt (Cymbalic / Omniscient Records - SF), Evinrude (Stimulus / Space Cowboys / NetAmp - SF), Little John (Raindance / Nexus - Santa Cruz), Mozaic (Stimulus / Raindance / Nexus / 3WS - SF), Satsi (Ammo - SF). Personally, I think Le Duplex is Le Suck, with bad sound and overpriced drinks, but I'd love to hear how these guys interpret ElectroTech.
10PM - 4AM
Le Duplex, 1525 Mission Street
$5
More info: 1-888-650-6660
Staple presents Mike Huckaby at Rx Gallery
Residents DJ Javaight and Fil Latorre will be spinning the future house and deep techno sounds with Detroit producer and DJ Mike Huckaby.
9PM - 2AM
$10 advance (www.blasthaus.com/calendar), free before 10.3o with the flyer
Rx Gallery, 132 Mason Street at Eddy
Deep End Fundraiser at Supperclub
The best place on the playa to get a nasty sunburn or whirled away by a dust devil is certainly The Deep End. Two rooms of their DJs in a very cool location.
10:00pm - 4:00am
$15 donation
Supperclub, 657 Harrison b/t 2nd & 3rd
The Rod at Deco Lounge
For all the gay boys who want to pretend that it's 1979. Unfortunately, I'm not one of them. Check out my review of The Rod.
10PM - 4AM
FREE before 10PM, $5 After
Deco Lounge, 510 Larkin at Turk
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