Showing posts with label scenesters. Show all posts
Showing posts with label scenesters. Show all posts

Tuesday, January 6, 2009

Donovan Who?

This past Sunday I happened upon an SFGate Sunday Style piece that should go down as one of the worst pieces of nightlife-related journalism I've ever read: a profile of Donovan, "one of San Francisco's busiest nightclub DJs," who is trying to start an upscale clothing and jewelry line.

Now, apart from the fact that he has no background whatsoever in the fashion industry, jewelry, or design, the thing that came up in my mind as I read this article was: Who? Funny, if he was "one of San Francisco's busiest nightclub DJs," you'd think I'd have heard of him, seen his name on a flyer somewhere, maybe even danced to one of his sets? I had to go many, many (too many, in fact) column inches into this article to find out where he even played. Let's see, he once played the basement room at 1015 (after a friend lied to the promoter about who he was), and he's played parties at (can you believe it) The Fairmont Hotel, Top of the Mark at The Mark Hopkins, and Slide off Union Square. Oh, the fame!

Putting aside the fact that this guy comes off as someone who caters to overdressed douchebags, I have to ask this: aren't there plenty of other DJs in this city, real, major DJs, with interesting lives and aspirations and projects, who would be better served by being profiled than this guy? And what editor let this writer get away with breathless assertions in the lede like "one of San Francisco's busiest nightclub DJs" without actually backing it up with facts before you get twenty paragraphs into the article?

This is the kind of writing that drives me crazy, perpetrated as it is by someone who obviously has no knowledge of the scene they're writing about, and gives both DJs, and the nightclub scene, a bad rep by making it look like it's all about money. It's groups like the Space Cowboys, Comfort and Joy, Honey Sound System, and all the other crews in the city who give our scene vitality, out of love for the scene and music, and they're the ones who deserve to have their efforts rewarded with the attention of our local press, not this guy. Maybe some day the mainstream press will wake up to the real stuff that's going on around us, rather than pimping for a guy who's all about the bling.


DJ Donovan sporting his solid gold logo necklace and diamond-studded ring at his fourth-floor SoMa loft condo.

Thursday, June 26, 2008

Paul Addis Pleads Guilty to Arson Charge for Burning the Man at Burning Man

I heard a rumor last night, but today The Laughing Squid confirms that Paul David Addis has pled guilty to arson in the burning of The Man at Burning Man last year. I guess he and his lawyer realized that the whole cutesy story about a covert operations group, which Addis concocted out of his Hunter S. Thompson fantasies, wasn't going to cut it in front a jury. Now he's looking at one to four years in a Federal pen (because he committed the crime on Federal land), and has to fork over $25,000 in restitution.

Update: Apparently the charge Addis pleaded guilty to was not arson, but destruction of private property.

Tuesday, June 24, 2008

Baron von Luxxury in The Chronicle

They write about him under his real name of Robin Blake, but here at SF Scene we all know him as Baron von Luxxury - yep, the guy I wrote about over a year ago in connection with The Workout, and who spun at the second installment of Fuck Shit, Let's Dance, is now the focus of an article in SFGate about folks with alternative work situations. I think the Baron is shaping up to not only be a very talented guy, but also something of a local celeb, so you should check out both this article for a look at the world of a professional musician and any chance you have to hear his music.

Tuesday, June 3, 2008

Otto Schutt, RIP

Some months back I posted about an event for Otto Schutt, a beloved figure in the local scene and founder of the Power to the Peaceful festival, who had been diagnosed with colon cancer. This week I noticed a big uptick in hits to that posting, so I figured something must have happened. Sure enough, according to the posts on ottoschutt.com, Otto was laid to rest on June 1st. If you knew Otto or would like to know more about him please visit the site and share your thoughts with his many friends and family.

Monday, March 17, 2008

Paul David Addis Pleads Guilty to Misdemeanor Charge from Grace Cathedral "Arson Attempt"

Reality seems to finally be catching up to Paul David Addis, who pleaded guilty on Friday to a misdeanor charge in connection with his being caught outside Grace Cathedral with a bag full of fireworks after having previously told someone that the cathedral "wasn't going to be there anymore." Addis is still facing trial for his burning of The Man at last year's Burning Man. I wonder how this conviction is going to work for him in that instance?

Thursday, February 28, 2008

The End of Fag Fridays, the Beginning of Something New

This morning I received an email from a regular reader asking me "Is Fag Friday's ending, for good?" I had heard a few rumours around this, so I checked the event schedule for Pink and discovered that Fag Fridays wasn't on the calendar after tomorrow night! I sent an email to David Peterson, who, along with his partner Jose Mineros, have been the guiding force behind San Francisco's longest-running gay dance night, and received confirmation that, indeed, tomorrow night will be the last Fag Friday ever.

This is definitely the end of an era in gay nightlife, and prompts musings on how things have changed in the gay dance scene since the first party the boys threw back in 1996. But the good news is that David tells me they will continue to do one-off parties for big gay events like Pride and Folsom Street, and that they are even working on opening a venue of their own. They are also starting a record label, Thread Recordings, with their first single, David Harness' "The Rhythm," set to drop next week on traxsource.com.

If you've ever had a dancefloor moment at Fag Fridays, you should head out tomorrow night for your last chance to feel that special house vibe, and to wish David and Jose good luck with their new endeavors.

Wednesday, December 19, 2007

Listening to Bob Mould on City Arts and Lectures

This past Sunday I caught the Bob Mould interview on City Arts and Lectures on KQED, part of their Talking Music series. Unfortunately, there doesn't seem to be a taped version of this on their website, but there were some cool stories about Bob's days with Husker Du and their crazy tours, including a long stopover here in SF while they crashed at Jello Biafra's place.

It was a thought-provoking experience to listen to this on an afternoon when I was intending to go to a disco night later in the evening, since, when Bob talked about wanting to get rid of "that music" on the radio, he was making an oblique reference to the disco and pop tunes of the late 70s and early 80s that dominated the charts. I really didn't get into punk music until about 1984, and discovered Husker Du following the release of Zen Arcade, but listening to Bob made me think about how we followed similar paths - angry small town boys who first found an outlet for our feelings in punk music, and who also came around to dealing with our sexuality through that same scene. I remember when Bob was outed by Spin, and then the sudden uptick in Queercore bands like Pansy Division and queer punk zines coming around at the same time.

It's interesting to think about the difference a few years would have made in the identifications I had with the gay world. I was still in high school in rural Virginia when AIDS was identified, and by the time I had gone through college and begun investigating the gay scene a whole generation of men who had experienced that first wave of gay liberation and danced in the discos had been wiped out. Those who survived and came after them brought with them a lot of anger, as I did, over everything from the political climate to the way AIDS patients were being treated. When I hung out with guys in ACT-UP in Baltimore, they didn't listen to disco, they listened to Fugazi and Husker Du and Minor Threat, Nirvana and Ministry. We had pretty typical second-generation attitudes toward the first generation of out gay men, in that we saw their culture as stifling and traditionalist, and wanted to make things for ourselves. When I wanted to scope boys I didn't go the gay bars, but to rock shows and goth/industrial clubs.

Bob Mould and I are pretty much products of the atmosphere in which we came out; while the mood of the 7os generation might be characterized as happy and liberated, our generation felt angry and oppressed. Then, by the mid-90s, all those queer punks found that the second movement we had mobilized had lost its teeth, settling now for issues like marriage and military service, things we vehemently opposed. I guess it makes sense that disco is now undergoing this tremendous revival both here in SF and, from what I've heard, in New York; it evokes happy memories for an older generation, and connects the most recent with a gay identity that seems to offer more radical opportunities for self-expression. It is somewhat galling to think that the gay culture that I and my friends rejected has now re-emerged as a dominant cultural force, while the main accomplishment of our anger and political motivation has been to create a class of gay bourgeoisie, and this, I must admit, accounts for at least some of my own attitude toward the disco aesthetic. And then there are the times when I look around at the current state of the gay scene and I just feel like a curmudgeon, much in the same way as that first generation of gay men must have felt when they encountered my generation and realized that there had been a tremendous shift in values and aesthetics that had taken place without their realizing it.

Bob Mould is still putting out albums, but it seems that he's changed a lot since I last saw him do a solo acoustic show at a small bar in Baltimore; he's now DJing are regular night in DC and New York called Blowoff, and I noticed that on his myspace page, one of his friends is the Service Members Legal Defense Fund. It also seems that Bob has traded in his punk identity for being a bear; I didn't even recognize his current physical incarnation from the husky, intense, geeky guy I watched with rapt attention. I'm glad that Bob has found a way to re-define himself as he starts creeping up on 50; it's pretty hard to maintain that angry energy your entire life without turning into a total crank. I'm a little disappointed in looking at their setlists; maybe I'd like it better if I was actually listening to it, but it seems a bit like a repudiation of the punk aesthetic for pretty mainstream stuff. But at least Bob has found a way to position himself in relation to contemporary gay culture, something that, for all of us, becomes much more difficult as the years pass.

Thursday, November 29, 2007

New York Times on Female DJ Style

Funny how everything having to do with DJs seems to wind up in the Style section of the New York Times, rather than in the music section. This time it's an article on the trend-setting styles of female DJs, and while I must admit that the girls definitely have a look, it's not very clear if they actually play good music - in fact, the article seems to say that, as long as they look good behind the decks, what they play doesn't necessarily matter.

Monday, November 26, 2007

The End of Trannyshack!

Wow, following upon the heels of the most recent Miss Trannyshack pageant, Heklina announces the end of Trannyshack as a weekly party! One immediate response from a passerby informed of the news was "Thank God!" The mind boggles at how this will change the dynamic of the San Francisco gay club scene - will Charlie Horse now become the dominant drag destination? Will parties now have fewer drag divas living off their Miss Trannyshack fame? Stay tuned and find out!

Wednesday, November 14, 2007

SFWeekly Digging the Dirt on Paul Addis

You know, it's sometimes really nice to take a stand about something, and then be vindicated. In my case, it was coming out and saying that I thought Paul Addis was a narcissistic jerk playing out his Hunter S. Thompson fantasies when everybody else I knew seemed to think that he was a provocative performance artist. When he was busted for his alledged attempt to "blow up" Grace Cathedral I felt a little pang of satisfaction, and now Sucka Free City in the SFWeekly has dug up some really interesting information about this local "hero;" first the restraining order placed against him for allegedly threatening students at Grace Prepatory School, and then charges of harassment and unlawful use of a weapon when he got pissed off with a hotel clerk in Seattle after his American Express card was refused. The paper wanted to talk with Addis about these past events, but his jailers have - quelle surprise - judged him "mentally unfit" to sign the waivers necessary to talk with the media. So, Chicken John, what do you think of your hero now?

Thursday, November 8, 2007

Upcoming Event: Solid, a Fundraiser for Otto Schutt, Thursday Nov 8

Just found out about this totally at the last minute, a superstar line-up to benefit local scenester Otto Schutt, who was recently diagnosed with colon cancer. Otto has no insurance and treatment is expected to exceed $100K, so come down and shake your butt for a good cause.

With:
  • Claude vonStroke
  • Fred Everything
  • M3
  • Solar
  • Galen
  • Anthony
  • Lance Desardi
  • Worthy
  • DJ Fluid
  • Alland Byallo
  • Craig Kuna
9PM - 4AM
Mighty, 119 Utah Street

Contributions can also be made via www.ottoschutt.com

Monday, October 29, 2007

Paul Addis At It Again: Caught Trying to Torch Grace Cathedral

Wow, that Paul Addis sure loves to burn things down; this time he was nabbed in an alleged attempt to burn Grace Catheral. Perhaps all the praise heaped upon him for his Burning Man "prank" gave him an inflated sense of his own abilities and status. In any case, this "hero" now faces four pretty serious counts here, and I wouldn't be a bit surprised if his $25K bail from Nevada got revoked (nice way to pay back all those folks who helped you out, Paul).

Friday, October 26, 2007

Help Otto!

Otto Schutt is one of those scenesters everybody seems to love, and unfortunately, he needs lots of it right now, having been diagnosed with colon cancer (really, just about the worst kind you can get, and he's got it bad). There have been some great fundraisers for Otto, with Space Cowboys, Opel, and many other crews getting together to help him through this, both spiritually and financially. If you want to help Otto, check out his website and hit the PayPal link.

Monday, October 15, 2007

A Disquieting Death in the NY Club Scene: Dean Johnson

Today's New York Times has an article on the strange and untimely death of Dean Johnson, one of the reigning funky bohemian queers of the New York club scene. I can actually remember his band, Dean and the Weenies, from back in the madcap 80s. It's an interesting article about a life lived through the ups and downs of the New York club scene, including the halcyon days of the 80s, dealing with HIV, and then trying to make a comeback, topped off by an ignomious end. The best quote is at the very end of the article, from our own Lady Bunny:

“He was part of the club scene, and the club scene is, to a large degree lost, killed by bottle service,” said Lady Bunny, the drag queen. “New York is not a place for a funky, baroque bohemian to flourish in anymore.”
Sadly, I've come to think that this applies to San Francisco as much as it does New York.

Thursday, September 27, 2007

Paul Addis Arraigned on September 25

So two days ago Paul Addis, "alleged" arsonist of The Man, was arraigned in Pershing County District Court. According to this interview in Wired (which further confirms just about everything I've thought about the man to this point - hey, did you know that all us folks who go to Burning Man and have tech jobs don't do *anything* creative when we come back to the city?), he planned to plead "not guilty." I've not been able to track down any accounts of the proceedings yet, but will doing my best to dig it out. Since there were eye witnesses, and no one is going to take his blarney story about "Black Rock Intelligence" seriously, I think he's digging himself into a big hole, but that's his business. Let's see how well his Hunter S. Thompson act flies in state prison.

Wednesday, September 12, 2007

Paul Addis at Substance at The End Up this Saturday

Word comes to me that Paul Addis will be "holding court" at Substance at The End Up this Saturday. Maybe this will encourage you to go, maybe it will encourage you to go elsewhere, maybe it will inspire the prankster in you - all I'm doing is relaying the information, it's up to you to do with it what you will.

Tuesday, September 11, 2007

The Ethics of Destruction

Judging by comments I've started to receive from my post below, I've aligned myself with the "uncool kids" by thinking that there was something wrong with the actions of Paul Addis at Burning Man. I considered responding in depth in the comments, but given that today marks the anniversary of another event that provoked world discussion through the destruction of an iconic structure, it seems that this might be a great opportunity to discuss the ethics of destruction.

Let me state my position clearly: I think what Paul Addis did was wrong because it was an action filled with contempt for the work of others, that it was nihilist rather than artistic, and because it threatens the principle of mutual respect that makes radical community possible. This is completely separate from what I feel about Burning Man as an event (which I recognize has issues it must deal with), what I think of Larry Harvy or the Burning Man organization (with which I have had only slight interaction), or how I feel about "The Man" itself as one iconic structure among the many in the world.

Let's start by talking about The Man as an object. Though others obviously disagree, I see it as something that was created by a group of people, who invested their labor into it, and who had an intention for it. You may try to argue that it was a "craft" and not "art," and you may argue that, because it is serially reproduced year after year, it is also not art. This is all pure semantics, and has no bearing on the fact that people worked to create it, invested it with intention, and saw it, in some way, as a personal expression of what they were giving to the community. Those who created the man were acting as participants, which, supposedly, is what is most valued by all members of the Burning Man community.

This object, however, is also imbued with iconic meaning. For many, it is a negative icon, symbolizing everything that they think is wrong with Burning Man. For years people, mostly those who see themselves as part of the older, more authentic Burning Man experience, have talked about burning it early in a symbolic act of defiance. So after many years of talking about destroying this symbol, someone does it, and is instantly acclaimed "a hero" by people like Chicken John Rinaldi and others who consider themselves part of the original Burning Man experience.

Those who find this act praiseworthy seem to take the position that what Addis did was an act of radical self-expression, that the intent was to make a statement about art, about the corporate nature of Burning Man, about the loss of spontaneity at the event, etc. But all of this ignores the nature and intent of the act itself. I can do many things that are provocative and make a statement about something - I can blow up a building, paint swastikas on a church, or slash a painting in a gallery - but just because they provoke a discussion and make a statement doesn't make them ethical. The consideration of the ethical dimension of Addis' act is what has been completely left out of all these discussions, as though the intent justified the means.

It is obvious from Addis' various statements, most notably the one that appeared on Laughing Squid, that he holds all those who are not part of the original Burning Man experience in contempt, an attitude shared by many others. It is also obvious, from his action itself, that he holds the work invested in the object of The Man in contempt - it is something worthy only of being destroyed. Thus it seems to me that Addis acted out of a general contempt for the experience and work of others. In my view, this makes his action unethical.

But what about it as a prank, about it being in the spirit of the original Burning Man experience? For me, a prank is like what John Law did with The Man in 1997, the year of the Smiley Face. John Law also has taken a very critical stance toward Burning Man, and wanted to make a statement about it. His statement was to *create* something of his own that commented on Burning Man - in other words, he created art. And this is where Addis' act is completely different, in that it was only about destruction. Destruction isn't art, it's nihilism.

Finally, what did Addis' action accomplish? Judging from the commentary on this and other online forums, it has only caused even more polarization and factionalizing in the Burning Man community, a hardening of already opposing positions that will now be even more difficult to resolve; thus, instead of bringing about a synthesis, of provoking dialogue between these various factions, Addis has only succeeded in breaking apart the community even further.

When our community begins to hold someone like Paul Addis up as a "hero," I think we have truly lost our way, because it means that our heroes are nihilists who are incapable of creation, only destruction. Addis' action may be seen as an act of "radical self-expression," but it is self-expression that is completely devoid of any respect for the labor of others, their intents, and their expression. If that's our hero, then we are deep trouble, and I think that the values of our alternative community are no longer viable, because we have lost the main quality that makes community possible: mutual respect.

Last night the boyfriend pointed out to me how ironic it was that this is all taking place during the 40th anniversary of the Summer of Love, another moment in time when it seemed that the alterative community was poised to make real changes in the world. But that moment collapsed for many of the same reasons that the Burning Man community now seems to be collapsing, a victim of its own success, with in-fighting over issues of authenticity, how to manage a community that has grown well beyond its original members, how to keep its values alive when they are being disseminated on a massive scale. What has been most striking to me in all of this is how whether or not you agree with Addis' action seems to have become the mark of whether or not you are an authentic Burner, whether you are part of the despised establishment or can count yourself as a true participant, one of the heads. I think that what David Addis did was wrong because it was unethical, because it did not respect the labor and intent of others, and because it was based on a general contempt for all those not part of an in group; if that means I'm not an authentic Burner, I can live with that.

Monday, September 10, 2007

Chicken John on Paul Addis: "[He's] a hero"

Steven Jones gives Chicken John some press in this San Francisco Bay Guardian article on Burning Man that centers mostly on the Paul Addis' arson of the man and reactions to it. Jones explains how Chicken John and Addis have known each other since 1995, and that CJ even kicked Addis out of his Odeon bar a couple times. No surprises there, since San Francisco is a small town, and the core of old-skool burners is even smaller. But then there's this lovely quote from Chicken John:

"[Addis is] a hero. He did the thing that we've been talking about doing for a decade," Rinaldi said. "No matter how misguided he was, his intention was to facilitate art."

Umm, how does that work exactly, facilitating art by destroying something that someone else has created? I guess I'm just a grump, but I don't see where Addis' action is facilitative, helpful, or even a good prank, because it involved the destruction of something created by someone else. To me, it's akin to burning a book, destroying someone else's creation because you don't like what it represents (and no, it's not the same as that iconic gesture of flag burning, because a flag is a reproduction, not an original work - how would we feel about some slashing a Van Gogh to make a statement?).

In an earlier post I talked about why I have trouble with Chicken John's campaign, but now we have someone who is holding himself up as a guardian and supporter of the arts commending Addis as a "hero" for destroying someone else's work. Does Chicken John think it's okay to destroy art if you don't agree with it? Is that how he's going to improve the condition of the arts community in San Francisco?

New York Times on the Last Misshapes Party

There's an article in today's New York Times about the last Misshapes party that went down in SoHo on Saturday night. For those of you who have not been following the New York scene (and why aren't you?), the Misshapes have been the big IT kids for about four years now, winding up as DJs for big fashion shows and now having spun off a blog, a clothing line, and a photo book. My favorite line in the article is "In 2002 Geordon Nicol, 23; Greg Krelenstein, 28; and Leigh Lezark, 23 — self-styled D.J.’s known more for their post-new-wave aesthetics than their turntable skills — started their nightlife careers with a one-off at Luke & Leroy." You know, if you just have the right style, and you can get the other stylish kids to show up too, then the whole music thing doesn't really matter.

It's a good article in that it gets right down to the whole damned if you do/damned if you don't aspect of the hipster club scene - if you're not hip enough, then nobody pays attention to you, but if you get to be the hip party, then everybody is sooooo over you and spends the rest of their time sniping at you. Sorta like Burning Man here. Me, I'm slowly becoming of the same opinion as one of the kids quoted in the article: “The new hot party is the dinner party." At least at my own parties I have no one but myself to blame if the music sucks.

Wednesday, September 5, 2007

Update: Fag Fridays Moving to Pink!

This past weekend I got an email from David Peterson, who, along with his partner Jose Mineros, have been the impresarios behind Fag Fridays at the End Up. David saw my posting about the end of Fag Fridays and contacted me to set the record straight on some rumors that were swirling around, and to also let me know that Fag Fridays might be leaving the End Up, but was ready to start anew at Pink. The boyfriend and I met David and Jose for some drinks at 440 Casto and found out some interesting info about the history of Fag Fridays, and well as plans for the future.

David started working at The End Up in 1994 as the general manager, and soon afterward hired Jose to work as a promotions manager. One thing led to another and in 1996, while sitting on the beach together, the two of them came up with the concept for Fag Fridays, from the name right down to what they wanted it to achieve; as Jose put it, if they could bring one couple together on the dancefloor, and have a relationship blossom from that experience, they would consider the whole undertaking to be a success. Eleven years later they are probably responsible for more gay men hooking up together than craigslist, what with anywhere from 400 – 700 guys turning out every Friday night to get down.

In their eleven year run they’ve seen lots of change in the gay club scene, including the great club crackdown of 2001, which led to the super-strict, bummer security pat-down routine patrons now have to endure at the door. They have also seen The End Up change hands, passing last year from the last surviving brother of the original owner to an east-coast LLC that owns the business, if not the building. And here’s the reason for the passing of Fag Fridays; not that the boys have given up on the scene, or that they’ve broken up (a rumor they find particularly amusing). Rather, the new owners just want more money for the use of the space and the bar guarantee, to such an extent that running the night is no longer economically viable without jacking up the cover to $20, a price that they think would change the nature of the night in ways they don’t want.

David and Jose had considered just saying that’s it, we’ve had a good run and it’s over now; David even went so far as to find another job for himself, now working as Sales Manager for the revived Temple club. But as soon as word got out, offers started coming in from several promoters, including one very prominent club owner, to bring Fag Fridays to their spaces. After considering all the possibilities, the boys settled on Pink.

As one of the bastions of San Francisco house Pink seems like a good fit for Fag Fridays; there will be challenges too, though, since Fag Fridays is, in some ways, inherently connected in people’s minds with the End Up space. There’s also the issue of how the upcoming generation of gay clubbers relate to the Fag Fridays house sound. One the other hand, moving to Pink will allow David and Jose to do some things that they’ve wanted to do for a long time, like drop the cover charge down a few bucks. Pink will also not enforce their usual dress code for Fag Fridays, and just because the booze has to stop flowing at 2AM doesn’t mean the music will stop. Jose emphasized to me that one of the things they always wanted with Fag Fridays was to create a more intimate space that was in contrast to the big mega club event, and Pink seems ideally suited for this.

The new Fag Fridays at Pink is scheduled to take off on October 19, with New York’s Tedd Patterson (famed for his Vibal parties at Cielo in the Meatpacking District) headlining. It promises to be an event, and I’ll be anxious to check it out and see how Fag Fridays adapts to its new home.